The latest updates from the Tamil film industry.
A witch in confrontation mode, a courtroom drama full of twists and turns, Bruce Lee's final and Denis Villeneuve's first, Sukanya Verma recommends this and more on OTT this week.
Variety is the spice of life and the greatest USP of OTT platforms. Sukanya Verma points out all the wonderful stuff to choose from this week's mix.
Vikram Bhatt's horror film is a big let down, says Namrata Thakker.
Radhika Apte's espionage skills, a quartet of romances in Visakhapatnam and a whole lot of other adventures and thrills, there's tons of action to catch on OTT this week.
Contrary to Rohit Shetty's hit comedy, Golmaal which was consistently funny, Sunday entertains as long as it tries to be funny but isn't sly enough to find a mention in the archive of whodunits.
Tiger. Akshay. Ajay. Hrithik. Ajay again. Akshay again. Kartik...
A beautiful documentary from Delhi. A shocking satire that spares no one. A thriller about a serial killer in Iran. A Pakistan film about family secrets... Aseem Chhabra lists the best films he saw in Cannes.
Joginder Tuteja takes a look at films which didn't do as well at the box office but are performing well on the digital platform.
A skilfully written plot, deft direction and excellent camera work make director Anand Shankar's Arima Nambi a highly engaging, action-packed thriller.
Directed by V K Prakash, Mammootty plays a lawyer in this family thriller.
Vidya Balan and Shefali Shah are powerhouse talents and are tailor-made for Jalsa's overwrought premise, notes Sukanya Verma.
The first half of Saithan has a lot of suspense, says S Saraswathi.
Netflix has unveiled a line-up of 15 original series as well as returning seasons of popular shows.
'Dune deserves all the raves it has been getting.'
Charlie Ke Chakkar Mein is a thriller with many twists, writes Jahnavi Patel.
Joginder Tuteja looks at Bollywood's ladies, where they will be calling the shots in their films.
Director Ashwin Saravanan's Maya is a gripping supernatural thriller. S Saraswathi recommends.
'What you do today defines what you are going to be tomorrow.'
It has been 20 years since the Kargil War. Sukanya Verma look back at Lakshya, Farhan Akhtar's memorable film that was inspired by the war in the icy heights where young Indian soldiers fought tireless battles to evict Pakistani troops from our territory.
Gupt's greatest success lies in how attractive it remains despite the suspense becoming common knowledge, feels Sukanya Verma.
Director Sundar C lets his fans down with his clich supernatural thriller Aranmanai, rants S Saraswathi.
Scientists are puzzled by what caused the mysterious nuclear leak at the Kakrapar Nuclear Power Plant in Gujarat last year, reveals Pallava Bagla.
Some of featured her in author-backed roles while others had her as a part of an ensemble cast.
Sukanya Verma looks at the recent spate of book-to-screen adaptations.
Almost everything about Zid can be best described as botched, says Nishi Tiwari.
'People have only seen me crying and being this martyr mother and sacrificing wife.' 'But I want to do something which is dark, something mysterious.'
'I take interest in all my films but I took special interest in Khamoshiyan.' Mahesh Bhatt tells us why.
Streaming a diverse range of moods and moments, these films are a fairly commendable effort if not always riveting, feels Sukanya Verma.
Ittefaq has a gagster attitude, plenty of light touches, and it announces Abhay Chopra as a mainstream talent to watch out for, says Sreehari Nair.
Rhea wants a stay on the Bihar police probe.
Vidya Balan gets candid about her films but dodges question on censor board!
'As the burkha-clad beauty Husna in Mere Mehboob, she inspired Shakeel Badayuni to compose Mere Mehboob Tujhe Meri Mohabbat Ki Kasam/Phir Mujhe Un Nargisi Aankhon Ka Sahara De De. Hasrat Jaipuri showered epithets like Nargis-e-Mastaana and Phoolon Ki Rani, Baharon Ki Malika on her in Arzoo.'
The actors are good and Sujoy Ghosh is tremendous at creating a textured Bengal setting, but this is a thriller which could have used more twists and smarts, says Raja Sen.
Aseem Chhabra lists his favourite films, most of them shown at international film festivals held virtually (Berlinale and Rotterdam), hybrid (Toronto) or physical (Cannes and Venice).
